Director: Joseph
Kosinski
Stars: Tom Cruise,
Morgan Freeman, Andrea Riseborough
Plot: A future Earth
has narrowly survived a nuclear war. With aliens. Given the poor
state of earth, most people are living on a giant space station
whilst they siphon off the last of Earths resources. Two humans
remain on Earth to help facilitate this.
Hugh's View:
Before you read this,
watch this clip (its not from the film and not a spoiler, just watch
it trust me)
Right, watched it? Are
you sure? The following won't make as much sense if you don't.
Ok? Right so that clip
is an exact representation of what went right and wrong in Oblivion.
Just the other way round. Because in the clip they say awww when they
should respond with awe. But in this film its awe instead of awww.
You with me?
The thing is, this film
is epic. Like massive epic. Well massive in the sense of America is
massive. And it has massive monuments. And football stadiums are
massive. Especially if you are just a small man standing next to one
or inside one. Like Tom Cruise is. It only just struck me now, I
wonder if his stature is part of why they cast him....
Regardless, this film
shows America (and we are to assume by extension, the rest of the
world) as a desolate, apocalyptic wasteland. Apparently it's correct
to say apocalyptic as opposed to post apocalyptic because the
apocalypse is the end so nothing comes after it. I digress. Tom
Cruise is one of the two humans left alone on this planet and
alongside the love and to an extent leadership of Andrea Riseborough,
doing mankind a favour by performing a spot of diy, reflecting on memories
of an earth he never knew and generally being the good guy.
You see mankind has
fled the planet as they tend to do, after narrowly winning a nuclear
tiff with some aliens that kinda look like Predator by the way of a
Mad Max film. What you see of them that is. They are a scuttling
type. Inevitably upon his time of parading along the planet he
discovers something is amiss and all is not as it seems, they may not
be as alone as they think they are blah blah blah, plot, all that was
in the trailer anyways. You can't say much more then that without
going in to spoiler territory, but you don't really need to. The
first act alone symbolises the heart of the problem, or lack there of
it. You see the thing is, I just didn't care.
Now don't get me wrong,
watching Tom Cruise fly around the earth in his spaceship come
helicopter and then riding around on his stormtrooper chic motorbike,
whilst so many great monuments rise out of a dusty, baron desert
landscape is a spectacle and a winning one at that. I watched this on
IMAX screen (blag blag, whatever, get your own IMAX) and that was the
way to see it. A film that relies this heavily on its vast vistas
needs to be watched on the biggest screen possible. Normally I am
quick to deride a movie that sells itself on having the producer of
another hit film behind it, as if that will somehow make it a
comparably artistic achievement. That said if this is the kind of
staggering yet artistic desolation we can expect from a future earth
in the hands of the producers from Rise of the Planet of the Apes, we
hopefully have a lot to look forward to future entries from that
franchise. Because they are the same people who produced this film. I
hope I made that clear.
The thing is, it has a
beautiful futuristic aesthetic with a very clean and clinical feel,
its just a shame that this extends to the characters too. I don't
blame Tom Cruise. I am not a hater. You are? Stop reading a film
review and go read a gossip rag. Go on. Scram. It doesn't matter if,
in the outside world, someone is a wise man who builds his house upon
stone, a foolish man who builds his house upon sand or a famous man
that builds his house upon a fruit cake, they are an actor, watch
them act in a film, let them convince you and judge them on that.
He is the central
figure though, no matter how you look at it, this film is about his
face and his person. The fact that you recognise him so easily from
everyday life doesn't help you become immersed in his character and
this is a problem. The problem extends beyond this though. The core
of this story is a human one and without one you can really get
behind, the whole things feels hollow and hardly engaging. They go
through a lot of the beats that might normally connect you
emotionally to a character. He dreams of a wife he never knew, he
reflects on football games he never saw, he lovingly embraces his sole
companion as she lovingly waits for him to get home after his earthly
excursions. He even saves a dog for Christ’s sake. He even saves a
dog.
These are emotional
beats though, nothing more and you can tell. It's like someone typed
'relatable and endearing human traits' in to Google and then
displayed the image results. There is a difference between seeing
them and feeling them. The irony of course being that the film this
resembles most is the Disney-Pixar classic Wall-E about a robot left
behind on an abandoned earth to clean up the mess left by humans. It
shares a similar vast and isolated scope but the main protagonist in
that film is a Robot. An almost mute Robot. He can barely talk. But
he emotes more than double what Tom Cruises' character gets across.
And he doesn't have a mouth! No mouth. Come on.
Need I say more:
Need I say more:
Wall-E doesn't have a
mouth just to be clear. Not Tom Cruise. He has a mouth. Of course he
does. How can he do his winning smile without it? He doesn't do much
of that in this film though. He is mostly dour. That could have been
included in his initial character description in the screenplay. Tom
Cruise drives, flies and mopes around looking mostly dour. They of
course throw twists and turns in to the mix of course. More reasons
to care, more reasons to worry, more reasons to question, more
reasons to gasp. None of them add up to anything. Some feel like they
are from a completely different film. Bits involving Morgan Freeman.
Even he can't elevate it. (He is in the trailer and on the poster, that is
not a spoiler). The plot keeps you second guessing as much as it can,
you might almost say more then it needs to because the big picture
when it finally comes together feels significantly less than the sum
of its parts, and that's a shame.
It really tries, it
does. Even the soundtrack is saying 'go one, give it a go, dive in,
love these people, care for their aquatic love dancing'. Not
literally. The musical equivalent. Sweeping strings and electronic
beats. They really turn it up to 11. But overall it would work much
better as a music video. The track on the end credits is great, I
would love to watch a video for that featuring epic shots taken from
this film. I just want more if I am watching it for around two hours.
It's not asking much. Awe can only make you appreciate, you need some
'awww' before you care.
This is the ending track by the way. Give it a listen, it may even be enough to convince you to go. Rendering the rest of the review kinda pointless...
You won't be sad you
spent your money to see this on the big screen but you also won't be
sad to leave it behind.
Also watch:
Wall-E. What do you mean you haven't seen Wall-E? It is a true achievement. Whilst it shares a similar theme it has less than half the dialogue of Oblivion, more then double the warmth. Its a classic. Trust me.
Wall-E. What do you mean you haven't seen Wall-E? It is a true achievement. Whilst it shares a similar theme it has less than half the dialogue of Oblivion, more then double the warmth. Its a classic. Trust me.
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